I painted this for a Halloween thing in 2011. I think I did it in 1 day. It’s 11×14 inches, oil on canvas.
Everyone gets a scone! This is watercolor and pen on watercolor paper, 5×7 inches.
I have at least one more little watercolor drawing in the works, will post it when done. I also want to do more stuff with witches…witches, medusa, sphinxes, and Egyptian stuff! 🙂
P.S. This is pretty much the first thing I have done with a figure in it, so I’m pretty excited about that.
My Jovial Jack O’Lantern painting is in this great Day of the Dead / Halloween art show running all October here in Santa Barbara:
Noche De Los Muertos
Muddy Waters Cafe
508 E. Haley St., Santa Barbara, California
(805) 966-9328
The reception for the show is Oct 18th at 7PM, all ages, or go by Muddy Waters any time this month to see all the spooky art!
Flyer:
Jovial Jack O’ Lantern is done. It was really tough to get a good picture of this one, the retouching varnish made it quite glossy and the sky kept looking too light in the photo which it is not. I messed with the levels and such to get it as close as possible, but still it’s really a bit darker if you see it in person…I wanted this to have that old dark oil painting feel and I’m happy with the result. I like the mixture of kinda weird and creepy tombs with eyes and stuff vs. the happy-lookin pumpkin 🙂
This is the fastest I have finished a painting, only a few weeks total (no idea how much actual time, maybe like 20 to 40 hours including the drawing and planning?), it was nice to have a deadline since it meant I couldn’t futz around too much when I should just say it’s done and had to plan it right and not paint over stuff completely…it’s INSANE as I look back at the Dream City #1 and Cracky Chan and other paintings, I have painted over them so many times! When those paintings are done I will post all the major versions just fer fun.
I’m excited about my Jovial Jack O’Lantern painting (work in progress):
It’s cool too to know people will see it in real life…most of my stuff, for instance the Priestess of Dagon painting, looks a lot better in real life, even though I am not glazing or anything which creates light effects that are impossible to witness except in real life. That makes me happy…digital art can never reproduce the sort of feeling you get looking at something like a Rembrandt painting in real life. The first time I saw one of his paintings I totally connected with it in a way that left me astounded and literally feeling like there was a living person peering at me from within the frame. I’m rather far from that point but my stuff still looks better in real life than the crappy snapshot photos I’m posting on here 🙂
OK, anyway I like doing the embossed/engraved stuff with stone, I hadn’t tried it until now but I’m all into it. Doing the grass and stuff and the lichen and moss on the stone has also been a lot of fun! This painting has taught me a lot so far and I will use some of the knowledge on two other paintings I have in progress that have stone and outdoor night scenes. Hurray for creepy moonlit night scenes!
This is still a work in progress, but here’s what I have so far. Not sure of the name yet, probably something like Jovial Jack O’ Lantern in Happy Graveyard…this is oil on panel, 11×14 inches (work in progress):
I’m submitting this painting to a local Santa Barbara show, Noches De Los Muertos, which is at the Muddy Waters coffee house starting October 1st. It’s all Day of the Dead and Halloween art. My painting is a happy pumpkiny jack-o’-lantern that dwells in a spooky graveyard…
I planned this painting out much better than I ever have before, partly since I have a deadline this time: about 1 month from starting, and I need to factor in 4 days at least to let it dry before putting on retouching varnish. I spent several days planning this out with pencil and paper and in Photoshop where I did a semi-final drawing and did some color-study type stuff. I then drew it in pencil on the panel, at first I used a grid drawn on the panel to help transfer the drawing but ending up drawing in my vanishing points and perspective lines (it’s 2-point perspective) and mostly using that instead. Although the drawing is pretty simple it still took a long time for me to plan it out and get it right…the vanishing points were off the side of the panel too so i did this hokey thing where I taped strips of paper that contained the horizon and vanishing points in order to get the perspective on all the tombs and gravestones and such correct.
I then did a rough painting in acrylic which reminded me how much I suck at using that medium 🙂 After a couple sessions when everything was blocked in I started the official oil painting which progressed much more to my liking than the acrylic did…I can’t believe how crazy fast acrylic dries after getting used to oils for many months!